Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art—media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter.
But the writers at the Cultural Gutter (http://theculturalgutter.com/) know that being canonized isn’t all it’s cracked up to be. Maligned genres and media allow for vital new ways of using old conventions and have more in common with high art, as itchy as that term makes us, than with respectable, middlebrow art. High art is often disdained as something a child could do, as mocking the audience, as degenerate, as trash. Gutter genres and media aren’t known for their subtlety.
In fact, their obviousness and their barenakedness is why they’re destined to remain beneath the radar of serious culture — and why they continue to thrive. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers.
This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
“Call it Pop Culture, call it Disposable Culture, call it Trash Culture. Whatever, it is OUR culture, and Carol Borden and company give it more than just geek love, they give it proper respect, in the form of considered opinion, deep analysis, and intelligent wit.” John Crye, Creative Director, Newmarket Films
“I found the Cultural Gutter by accident, while I was trolling for information about an author who was successful, but not well-regarded by literary critics. I came back to the site regularly, because reading the Cultural Gutter is like attending a party where everyone is interesting, witty, and well-informed. I enjoy the articles both when I know nothing about the cultural artifact in question, and even more when I do.” Lorna Toolis, Collection Head, Merril Collection of Science Fiction, Speculation and Fantasy
“I rely on the Cultural Gutter’s dedication to getting down and dirty to sift through the refuse and debris of un-popular culture past, present and future on a regular basis.” Colin Geddes, Midnight Madness and International Programmer, Toronto International Film Festival